Two producers this deep in the filth on one riddim track usually means a shoving match, each drop stacked louder than the last until the whole thing turns to mush. Chasing Bodies does not play that game. MADDS and Dainjaa settle into the same pocket instead of elbowing for it, and the low end lands harder because nobody is busy showing off.
This is 140 with real weight on it. The bass does not scream, it chews, a fat metallic growl that bounces on the offbeat and drags your head with it. I had bass face locked in before I meant to. What sells it is the space between the hits, the design pulling back just enough to let each one land clean instead of smearing into the last.
Dim Mak put it out, a bigger room than most riddim gets to play in. Neither of these two is new to the heavy end, and Chasing Bodies has the kind of nastiness that sends you straight to everything under Dainjaa’s name hunting for the next one. MADDS matches him growl for growl, no passenger here.
This one is built for the front barrier, where a crowd stops being polite. Out now on Dim Mak. Two heavy producers who could have buried each other in noise built something that swings instead, and that is what makes it land.
Listen on: YouTube · YouTube Music
