I have to admit, this song did surprise me with how it progressed. This song starts off almost with an anthem vibe to create hype with clapping in the back up to the drop. One notable thing about the drop too is that this 808 kick is UNIQUE! I very rarely see an 808 that […]
The Weeknd – Party Monster (Krane Remix)
This was unexpected. Krane has gone left field here from his usual style and taken on The Weeknd’s Party Monster, with devastatingly emotional results. The remix takes its time to rise from a slumber to the highest of peaks, but the way that Krane achieved that shows that his production isn’t just focused on churning […]
Martin Garrix & Dua Lipa – Scared To Be Lonely (Owen Norton Remix)
For some reason, anytime I see a Martin Garrix track, I expect to see Owen Norton remix it. Perhaps, I am just speculating or just plain making it up, but the dude seems to make one for each and every track. This isn’t a complaint because each and every time, he does a phenomenal job which […]
Snakehips & MØ – Don’t Leave (Gryffin Remix)
This is quite the remix. This is quite the remix by Gryffin. The guy who is really taking over lately for releasing some major tracks and remixes. For his first release of 2017, he reimagined Snakehips and MØ’s track, “Don’t Leave” to create an aggressive, but interesting remix. Normally Gryffin has that smooth sound, this remix […]
Hardwell – Mr. Spaceman (2017 Edit)
I did not see this one coming. Hardwell is starting his 2017 coming out swinging and he’s doing it in a retro way. Less than a month ago, we passed the fifth anniversary of Hardwell’s huge track, “Mr. Spaceman.” Well, his 2017 is starting with an edit of the track. He’s remixing a huge original […]
Migos – Bad & Boujee (Havok Roth & Nightowls Remix)
There is one thing that this remix has that not many others do, combine dubstep and trap into one. Would people call it trapstep? Maybe. Nonetheless, this track does a very good job of maintaining the growls of dubstep and the melody and 808 kicks of trap as you can tell more in the second […]
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