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Henry Fong x Halfway House – F.E.A.R. (Feat. Sanjin)

February 23, 2016 by Theo Maulen

Henry Fong has put out a new track on Calvin Harris’ label Fly Eye. Calling on Halfway House and Sanjin, F.E.A.R. is a track that needs to be added to your “Get Me To Festival Season” playlists. Fong has a great ability to incorporate other genres into his EDM tracks and for this one, and of […]

Opiuo – Sneakers

February 18, 2016 by Nick Grindrod

Glitch Hop legend Opiuo is back after a bit of time in the studio, with the first single off his upcoming third album Omniversal. The song is unique before you start to listen to it as it’s one of his only ones with a somewhat logical name. Then when you listen to it, you get […]

Jonas Rathsman – Cobalt

February 5, 2016 by Nick Pesavento

Jonas Rathsman has released his latest track, “Cobalt” on Solomun’s imprint, Dynamic. The deep and dreamy track features growling vocals and the dark techno vibe that we’ve come to know and love. There is nothing richer than hearing the intro to a track like this in a darkened club and knowing every single person in […]

Herobust – I’m Aloud EP (out on Mad Decent)

February 1, 2016 by Alessio Anesi

I called this record I’m Aloud because, in creating it, I had to realize that I was allowed to break the rules. I just decided to forget what everybody else was doing and find my own wave. The resulting body of work is honest, original and generally weird as hell. Im very proud of the […]

Carpainter – Noble Arts (out on TREKKIE TRAX)

January 28, 2016 by Alessio Anesi

Bless the day when the fate dragged me in the Trekkie Trax‘s jaws, seriously. Since that fatidical days a couple of months ago, there hasn’t been week in which I haven’t trawled from top to bottom the archive of this amazing Japanese label, finding tons and tons of incredible and unexpected material which have helped me so much […]

Throwback Thursday: The Presets – My People

January 7, 2016 by Nick Grindrod

You might be wondering why you’ve never heard of The Presets or My People, or why I’ve included it as a throwback. Well, the answer is that it only went big in Australia when it was released at the end of 2007, but it’s really good enough to go big worldwide, which it unfortunately didn’t. […]

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